Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Portrat Claude Monet oil painting


Portrat Claude Monet
Medium Oil on canvas 1872 cjr
Painting ID::  82173 		Pierre-Auguste Renoir
Portrat Claude Monet
Medium Oil on canvas 1872 cjr
   
   
     
Pierre-Auguste Renoir La Lecture oil painting


La Lecture
Date 1892(1892) Medium English: Oil on canvas Dimensions English: 55 x 65,5 cm cjr
Painting ID::  82438 		Pierre-Auguste Renoir
La Lecture
Date 1892(1892) Medium English: Oil on canvas Dimensions English: 55 x 65,5 cm cjr
   
   
     
Pierre-Auguste Renoir The Clown oil painting


The Clown
Date 1868(1868) Medium Oil on canvas Dimensions 193,5 x 130 cm cjr
Painting ID::  82478 		Pierre-Auguste Renoir
The Clown
Date 1868(1868) Medium Oil on canvas Dimensions 193,5 x 130 cm cjr
   
   
     
Pierre-Auguste Renoir In the Woods oil painting


In the Woods
Date ca. 1880(1880) Medium Oil on canvas Dimensions 55.8 x 46.3 cm (22 x 18.2 in) cjr
Painting ID::  82480 		Pierre-Auguste Renoir
In the Woods
Date ca. 1880(1880) Medium Oil on canvas Dimensions 55.8 x 46.3 cm (22 x 18.2 in) cjr
   
   
     
Pierre-Auguste Renoir Doge's Palace, Venice oil painting


Doge's Palace, Venice
Date 1881(1881) Medium Oil on canvas Dimensions 54.5 x 65 cm cjr
Painting ID::  82528 		Pierre-Auguste Renoir
Doge's Palace, Venice
Date 1881(1881) Medium Oil on canvas Dimensions 54.5 x 65 cm cjr
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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